CC BY
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recognition accuracy rate exceeding 85%. Participants expressed satisfaction with the system's responsiveness and clarity in speech output. Conclusion
This research demonstrates that a gesture-controlled speech system can effectively bridge communication gaps for individuals who are deaf or hard of hearing. By utilizing accessible technology such as Arduino Uno combined with sensor-based input methods, this project contributes valuable insights into assistive communication solutions. References:
1. Jahnavi, P., Vamsidhar, E., & Karthikeyan, C. (2020). Arduino and flex sensor based hand gesture to speech conversion. International Journal of Emerging Trends in Engineering Research, 8(10), 6684-6691. https://doi.org/10.30534/ijeter/2020/108102020
2. Sumadeep, M., & Kumar, R. (2020). Hand gesture based speech recognition system for hard of hearing people. International Journal of Research and Scientific Innovation, 7(1), 45-50. https://doi.org/10.5120/ijrsiet.v7i1.2020
3. Reddy, M., & Ramesh, C. (2020). Real-time hand gesture recognition for improved communication with deaf and hard of hearing individuals. International Journal of Intelligent Systems and Applications in Engineering, 11(6s), 23-37.
© Gurbanberdiyeva M., Mametvaliyeva C., Batyrova N., Jummanov U., 2024
УДК 62
Gurbanberdiyeva M.
Lecturer Oguz han Engineering and Technology University of Turkmenistan
Bayramgeldiyev A.
4th year student Oguz han Engineering and Technology University of Turkmenistan
Soyungulyyev M.
4th year student Oguz han Engineering and Technology University of Turkmenistan
Jummanov U.
4th year student Oguz han Engineering and Technology University of Turkmenistan
c. Ashgabat, Turkmenistan Toyjanov M.
Head of Department Oguz han Engineering and Technology University of Turkmenistan THE FUSION OF ELECTRONICS WITH ART AND THE CREATION OF DESIGNS FROM E-WASTE
Abstract
The fusion of electronics with art through the repurposing of electronic waste (e-waste) has emerged as a significant movement in contemporary art and environmental advocacy. This paper explores the creative transformation of discarded electronic components into artistic expressions, highlighting the environmental implications of e-waste. By examining various artists and their innovative works, this research underscores the potential of e-waste art to raise awareness about sustainability, promote responsible consumption, and inspire a cultural shift towards valuing waste as a resource. Ultimately, this intersection of creativity and technology serves as a powerful commentary on our digital age's environmental challenges.
Introduction
The rapid advancement of technology has led to an unprecedented increase in electronic waste (e-waste),
which poses significant environmental challenges. E-waste encompasses discarded electronic devices such as computers, smartphones, and household appliances that are no longer functional or desired. According to estimates, approximately 50 million tons of e-waste are generated globally each year, with only a fraction being recycled properly. This alarming trend has prompted artists worldwide to explore the potential of e-waste as a medium for artistic expression. The fusion of electronics with art not only provides a creative outlet but also serves as a platform for raising awareness about sustainability and responsible consumption. The Emergence of E-Waste Art
E-waste art emerged from a growing recognition of the environmental consequences associated with electronic consumption. Artists began to view discarded gadgets not merely as trash but as valuable materials for creative exploration. The artistic process often begins with sourcing e-waste from recycling centers, disposal sites, or donations from individuals. Artists sift through various components—circuit boards, wires, screens-selecting pieces that resonate with their vision. This practice not only highlights the aesthetic potential of e-waste but also encourages viewers to reconsider their relationship with technology. Artistic Techniques and Innovations
The techniques employed in e-waste art are diverse, reflecting the unique perspectives and skills of individual artists. Some focus on creating functional items such as furniture or lighting fixtures, while others delve into sculpture or mixed media installations. Notable examples include:
Sculptures: Artists like Haribaabu Naatesan have created life-size sculptures using thousands of discarded electronic components, transforming them into striking representations of animals or vehicles.
Wearable Art: Designers such as Eliza Walter have pioneered jewelry made from salvaged metals found in old electronics, merging fashion with sustainability.
Interactive Installations: Projects like Shen Bolun's "Tower of Babel," constructed from discarded mobile phones, utilize technology to create dynamic visual experiences that engage viewers on multiple levels.
These innovations showcase the limitless possibilities inherent in repurposing e-waste while simultaneously addressing pressing environmental issues.
Picture 1. Example of Art from E-waste
Environmental Impact and Awareness
One of the primary objectives of e-waste art is to raise awareness about the environmental hazards associated with improper disposal of electronic devices. When e-waste ends up in landfills, toxic substances such as lead, mercury, and cadmium can leach into soil and water systems, posing serious health risks to communities and ecosystems. E-waste artists aim to spark conversations around these issues by creating visually compelling works that serve as reminders of our collective responsibility toward sustainable practices.
For instance, Benjamin Von Wong's projects often highlight the staggering statistics surrounding e-waste generation and recycling rates. By transforming e-waste into thought-provoking installations, he encourages audiences to reflect on their consumption habits and consider the lifecycle of their devices. Cultural Significance
The fusion of electronics with art transcends mere aesthetics; it reflects broader cultural shifts regarding waste and sustainability. As societies grapple with the consequences of consumerism and technological advancement, e-waste art challenges traditional notions of value and beauty. By elevating discarded materials into works of art, these artists invite viewers to reconsider their perceptions of waste.
Moreover, e-waste art fosters a sense of community among artists and activists who share a commitment to environmental stewardship. Collaborative exhibitions and initiatives often emerge from this movement, creating platforms for dialogue around sustainability and responsible consumption practices. Challenges and Future Directions
Despite the growing recognition of e-waste art's significance, several challenges persist within this movement. Artists often face difficulties in sourcing quality materials due to limited recycling infrastructure or societal stigma surrounding waste. Additionally, there is a need for greater public education regarding proper disposal methods for electronic devices.
Conclusion
The fusion of electronics with art through e-waste transformation represents a powerful intersection between creativity and environmental consciousness. As artists continue to explore innovative ways to repurpose discarded technology, they challenge societal norms surrounding waste while raising awareness about pressing environmental issues. E-waste art not only serves as a catalyst for dialogue but also inspires individuals to rethink their relationship with technology and consumption patterns. By embracing this movement, we can pave the way for a more sustainable future where creativity flourishes alongside responsible stewardship of our planet's resources. References:
1. Abalansa, S., Hagan, E., & Kpodo, F. (2021). Climate change implications of electronic waste: Strategies for sustainable management. Environmental Science and Pollution Research, 28(23), 30000-30012. https://doi.org/10.1007/s11356-021-13456-8
2. Dishaw, G. (n.d.). E-waste art: Transforming waste into creativity. Great Lakes Electronics. Retrieved from https://www.ewaste1.com/e-waste-art/
3. Forti, V., Balde, C.P., Kuehr, R., & Bel, G. (2020). The Global E-Waste Monitor 2020: Quantities, flows and the circular economy potential. United Nations University.
© Gurbanberdiyeva M., Bayramgeldiyev A., Soyungulyyev M., Jummanov U., 2024
УДК 62
Mac Van Bien, Duong Thi Lan, Vuong Quang Huy, Nguyen Van Hai
Faculty of Electronics and Informatics, College of Industrial Techniques (CIT),
Bac Giang City, Vietnam
ANALYSIS OF METHODOLOGICAL ERRORS IN THERMAL IMAGING CONTROL OF HEATED BODIES
Abstract
The article identifies the main causes of methodological errors in thermal imaging control of heated bodies
