CC BY
3
UDK 004.02:004.5:004.9
Ubaydullaev L.
teacher of the department of fine and applied arts of the faculty of art history Karshi State University
Ubaydullaeva I. master student of "Art theory "
of National Institute of Art and Design named after Kamoliddin Behzod
SCIENTIFIC AND CREATIVE METHODS OF INTERPRETATION OF NATURE IN THE WORK OF COLOR-PAINTING ARTIST MURTAZO
ERGASHEV
Annotation: The article examines the work of the famous Uzbek artist Murtazo Irgashev. His paintings on various topics are subjected to analysis. The authors analyze the paintings of the master and identified the main artistic techniques and features of M.Irgashev's work. Also covered are the issues of aesthetic perception of paintings by the painter.
Key words: fine art, perception, color image, natural landscape, architectural monuments, fine art of Uzbekistan, national painting, modern Uzbek painting, color, harmony.
There are many masters of painting in Uzbekistan with their own style and themes. Murtazo Ergashev is one of our master painters, who has been engraving his name in golden letters on the pages of history through his original works, rich in content, philosophical observation and original composition in the historical and portrait genres of landscape. The artist's own style and figurative language are evident in his masterpieces rich in philosophical insight. The master of the brush with love and pride depicts the historical cities and towers, which for centuries have not lost their splendor and youth, showing the glorious history of our country. Among his fascinating works are "Bukhara Gate" (2000), "Sultan Sanjar" (2000), "Sunny Day. Hiva" (1983), "Short minor. Khiva" (2000), "Ichan Qala" (1996), "Bukhara. Cancer" (2001), "Toqi telpak. Bukhara" (1997) and a number of similar works captivate the audience.
Another of the artist's works praising the beauty of the country is "Short minor. Khiva" (2000) depicts the famous tower of Khiva, the Minor Minor, and the old village around the tower. At the beginning of the street, there are images of a woman with a cane in her hand and a big knot on her head, and an enlightened old man walking in the opposite direction to the woman, in harmony with the idea of the work. It is noteworthy that in the background there is a combination of warm and cool colors. As well as depicting blue trees and the famous short minaret and small domed minarets that look faint around the side of the tower, as well as a huge arch gate at the entrance to the tower.
The artist's "Bukhara. Cancer" (2001) depicts the Old Town Square with its sacred shrines in the summer chill of Bukhara. The work has a compositional solution. It is not difficult to know the warm summer of nature from the harmony of colors. The skillful use of warm and cool colors in the painting served to reveal the character of the work.
Each of the landscape painters is a world in its own right. They always create their own world. Murtaza Ergashev's views on this issue are also noteworthy. In fact, humanity has been searching for harmony in its society for many centuries and strives to create it. In fact, we often do not realize that all beauty, its harmony, is embodied in nature itself. "Sunny day. Hiva" (1983) is one of the royal works that has a special place. It is a "sunny day" in the series of historical monuments. Khiva was recognized by the artist. Artist Murtazo Ergashev noted that this painting was one of the works of interest and attention of foreign guests, despite the fact that it is much smaller than other works depicting the landscapes of Khiva. "I've never copied so many of my paintings in such a small way; it's called 'Sunny Day.' "I had to copy my work twelve times," he said.
The play depicts the ruins of the old village of Khiva and mud plaster houses, three children playing in the sun taffeta. The clearness and clarity of the Khiva sky gives the audience a good mood. Kampanofka's precision and composition's solution add to the emotionality of the work. Among such famous works of the artist is the painting "One day of Khiva" (2000). This work is distinguished by the clarity of its colors. The artist's painting depicts a clear sky and a hospitable Khiva in harmony with the entrance to the Kaltaminor architectural monument and the roadside buildings and historic old walls.
M. Ergashev's landscapes attract attention with their bright colors, originality of composition, delicate lyricism, and elegance of visual means. The artist lovingly depicts the mountains, rivers and lakes of his native land. He often goes to the mountains. He is fascinated by the landscape of the place and draws sketches and sketches. He definitely uses them in his works. The artist strives to cover reality in his works. This is evidenced by the fact that in his works he tried to reflect the landscape on a large scale.
The artist has such philosophical works that call every spectator to the distant past, summarizing his life today and urging him to take a deeper look at the duties and responsibilities of the next generation. One of such profound philosophical works is the triptych "Period" (160x70, fabric watercolor, 1991).
The left part of one of the works is called "Months pass, days pass". The moon and the sun are depicted side by side, the crown of the great commander Amir Temur and the mighty kingdom are depicted on a black background, and a candle half-lit on the moon's edge is symbolically enriched. In other words, the main reason for the artist's approach to the idea of the work is that the difficult path traversed after the independence of our country, our world-famous geniuses have passed for months, years and centuries, but still shines a bright beacon. The central part of the work is called "Life goes on" and enriches the content of the
first part. In the foreground is a large cradle and an elderly lion holding a cane in his hand. The idea in this part of the work is that the old man's thoughts are staring at what he has left in the passing life, but at the same time the philosophy that it is a step from the cradle to the grave has been put forward. The right part of the work is called "Time passes" and the culmination of this is that the artist describes himself in an hour and looks at his contemporaries with a questioning look. Another noteworthy aspect of the work is that all three parts of the work symbolically depict hazon leaves, which is also a sign of the passage of time and life. At the bottom of the work, the image of a caravan of camels in a rhythm, representing the great silk road in a straight line, also enriches the content of the work. The harmony of color gamut in the play gives the spectator an aesthetic pleasure. Compositions' precision is a testament to the artist's skill. We can continue the series of such philosophical works of the artist, for example: "In search of a trace" (100x90, fabric watercolor, 2002) is one of the works with a deep fantasy and a unique philosophical character. The play depicts snow-capped mountains and a small bridge near the mountain, and a dog looking for its owner along the tracks traversed at the top of the bridge.
The master of the brush says about this painting: "My observations in a mourning house in a remote village were the reason for creating this work. The devotion of the dog, who found traces of snow in the snow behind the coffin of its owner, led to the birth of this work".
Of course, for a creative person to create a masterpiece, a creative environment that can shake his heart or events that have a strong impact are important. The portrait of Kyuzzo Kato (161x100, fabric watercolor, 2012) by Murtazo Ergashev is one of such masterpieces.
Throughout his career, the artist regularly participates in the annual exhibition "Artist and Nature" in December with his unique works. One of the favorite themes of the artist is the theme of "bridges". In the personal exhibition "Bridges of the Heart" we see that the artist has done a lot of bridge views: a bridge over a mountain river, a bridge over a village river, a stone bridge, a broken bridge, a bridge over the desert, a bridge over the old woman and her granddaughter, and so on. They are available in different seasons, different sizes and colors. For the artist, the bridge has always been the product of the work of noble people. Through the bridge, Murtazo Ergashev reflects a part of life, changes in reality, people's moods, and most importantly, the relationship that connects the heart to the heart. "I am interested in the fate and scenery of ancient and new bridges in our country," said the artist. In 2013, he was awarded the title of Academician of the Academy of Sciences of Central Asian History named after "Maxfirat" for creative bridge works. The artist loves not only bridges, but also roads, trails, street views. In 2016, the state did not ignore the creative and multifaceted work of the master artist Murtazo Ergashev. He was awarded the title of Honored Worker of Culture of Uzbekistan. It is no exaggeration to say
that the multifaceted work of the master of the brush will be a great model school for young artists of the next generation.
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